Toten

Toten

 

 

 

 

 

The process in this art work   

resembles to the archeologist.

It is as if I dug up

the work from a recent past,

apocalyptic,

revisiting recent memories.

This is a series of assemblages

produced from found objects,

discarded.

They are daily objects,

food leftovers, packaging.

They are stacked in totens,

almost trophies,

prizing the resistance.

These memories,

transparent and fuzzy,

confuses itself in the real.

 

 

 

 

Lostwax Technique.

The objects, packaging and

discarded vegetables go through

the moulding process.

Once ready,

the moulds are charged with wax.

The hardened wax object is

covered with refractory plaster.

The wax is taken out by

water vapour.

The plaster moulds are then 

charged with glass pieces.

They go to the furnace for 8 hours

in 880 degrees Celsius.

After a week of cooling down

the plaster is removed,

and the piece goes through processes of

cold working techniques

and sand bast.

 

 

Art work presented on the Republic Museum Online Exhibition, Brasilia, 2020.

&copy Fuzja Studio - 2017
 

Covid

Covid

     

Cast glass of gloves and mask. Brasilia, Covid-19, 2020.

 

&copy Fuzja Studio - 2017
 

Mask

Mask

 

 

Installation with 19 cast glass masks with steel wire, hung on clothing wire by wooden pins.
Mask referes to the moment we are living right now.
Protection has become a new prop in our routine.
They multiply themselves, and are found in clothing lines, in the corners, in the streets.
Memory of the present, reminder of the future.

The material, glass, makes the viewer project himself in the art work, and at the same time his view passes through, glimpsing hope and an uncertain future. Asepsis of the material.
19 masks, Covid-19.

&copy Fuzja Studio - 2017
 

Fingers

Fingers

 

Cast glass artist's fingers and gummy bear.

Part of the Project Acervo Rotativo.

Brasília, 2020.

 

 

 

 

 

 

Cast glass artist's fingers and lampworked flower.

Part of the Project Acervo Rotativo.

Brasília, 2020.

 

Cast glass artist's fingers and glass marble.

Part of the Project Acervo Rotativo.

Brasília, 2020.

 

 

 

 

 

Cast glass artist's fingers and lampworked lollipop.

Brasília, 2020.

&copy Fuzja Studio - 2017
 

Faith Sinks II

Faith Sinks II

 

 

Faith sinks II

The bitten apple,

Symbol of sin,

Demarcates the pillow

Carrying in itself,

All its oppression,

Of a pruned gender

Of its own nature.

 

The bitten apple, symbolizes the patriarchy.
The burden that has cost women historically. Go to sleep with this weight on your consciousness.

 

Cast glass pillow and apple.

&copy Fuzja Studio - 2017
 

Faith Sinks

Faith Sinks

 

 

 

 

 

 

 

Faith sinks

The melted candle,

Goes out

By the wind.

Carries in itself

The weight of faith,

Of the cure,

Of hope

Demarca o travesseiro.

The weight remais.

Faith sinks.

 

Cast glass candle and pillow.

Brasilia 2020

&copy Fuzja Studio - 2017
 

Faith Sinks III

Faith Sinks III

 

 

 

 

 

 

 

 

 

The crown of christ

Demarcates the pillow

With its thorns.

Faith awakens

In the pain.

The faith

sinks.

 

 

 

Lampworked crown of christ, cast glass pilow. Brasilia 2020.

.

&copy Fuzja Studio - 2017
 

Origin

Origin

 

Origin, moulded wine glass, lampworked christ crown and silver ring.

Art work which participates of the SP Arte 2020 online exhibition for Referência Galeria, Brasilia.

 

&copy Fuzja Studio - 2017
 

Gummy Bear

Gummy Bear

 

     Coloured cast glass gummy bear, transparent cast glass of artist's fingers, wine glass and circular mirror. Brasilia, 2020.

 

         

          The lostwax process.

          A wax mould was taken

          from the real gummy bear candy,

          which was the covered in refractory plaster.

          The wax is taken out and the glass

          charged in the mould.

          It then goes to the furnace 

          at a temperature of 850 degrees Celsius for 8 hours.

&copy Fuzja Studio - 2017
 

Absens Haeres Non Herit

Absens Haeres Non Herit

 

 

 

 

 

 

 

The absent will not be heir

He denied his roots

His culture

And everything that was projected to him.

He felt into temptation 

With his own self

Reflected by the mirror

And has since not been able to run away from himself.

 

 

 

 

 

 

 

Steel plate with inscription and lampworked glass root. Art work exhibited in " Lines of forces: Surfaces in trance", in Referência Galeria, Brasilia 2019.

&copy Fuzja Studio - 2017