"Fragile" Centerpiece
made from moulded glass
and enamel
referring to the wrapping tape
FRAGILE
"Fragile" Vase
Glass blown and enamel
"Fragile" Centerpiece
Moulded glass and enamel.
Jewels
Floaters
and
Other Inflatable
Toys
Acrylic on canvas and gold and silver leaves.
"Women", acrylic on canvas. Presented in the 8th Contemporary Art Salon of the Yatch Club, Brasilia, 2005.
“muuu…!”, acrylic on canvas. Presented in the Exhibition Situations Brasilia in 2005 and Exhibition "The appearances deceive" in 2005 in UFG, Goiania.
"Men", acrylic on canvas. Presented in the 8th Contemporary Art Salon of the Yatch Club, Brasilia, 2005.
“Poodle”, acrylic on canvas. Brasília, 2005.
"Boy", acrylic on canvas. Brasilia, 2005.
Print design for the Melissa ST3 girls collection sneaker. 5 women artist from different states of Brazil, with their home city as the theme. Premier in Sao Paulo Fashion Week, 2006.
The process in this art work
resembles to the archeologist.
It is as if I dug up
the work from a recent past,
apocalyptic,
revisiting recent memories.
This is a series of assemblages
produced from found objects,
discarded.
They are daily objects,
food leftovers, packaging.
They are stacked in totens,
almost trophies,
prizing the resistance.
These memories,
transparent and fuzzy,
confuses itself in the real.
Lostwax Technique.
The objects, packaging and
discarded vegetables go through
the moulding process.
Once ready,
the moulds are charged with wax.
The hardened wax object is
covered with refractory plaster.
The wax is taken out by
water vapour.
The plaster moulds are then
charged with glass pieces.
They go to the furnace for 8 hours
in 880 degrees Celsius.
After a week of cooling down
the plaster is removed,
and the piece goes through processes of
cold working techniques
and sand bast.
Art work presented on the Republic Museum Online Exhibition, Brasilia, 2020.
Cast glass of gloves and mask. Brasilia, Covid-19, 2020.
Installation with 19 cast glass masks with steel wire, hung on clothing wire by wooden pins.
Mask referes to the moment we are living right now.
Protection has become a new prop in our routine.
They multiply themselves, and are found in clothing lines, in the corners, in the streets.
Memory of the present, reminder of the future.
The material, glass, makes the viewer project himself in the art work, and at the same time his view passes through, glimpsing hope and an uncertain future. Asepsis of the material.
19 masks, Covid-19.
Cast glass artist's fingers and gummy bear.
Part of the Project Acervo Rotativo.
Brasília, 2020.
Cast glass artist's fingers and lampworked flower.
Part of the Project Acervo Rotativo.
Brasília, 2020.
Cast glass artist's fingers and glass marble.
Part of the Project Acervo Rotativo.
Brasília, 2020.
Cast glass artist's fingers and lampworked lollipop.
Brasília, 2020.
Faith sinks II
The bitten apple,
Symbol of sin,
Demarcates the pillow
Carrying in itself,
All its oppression,
Of a pruned gender
Of its own nature.
The bitten apple, symbolizes the patriarchy.
The burden that has cost women historically. Go to sleep with this weight on your consciousness.
Cast glass pillow and apple.
Faith sinks
The melted candle,
Goes out
By the wind.
Carries in itself
The weight of faith,
Of the cure,
Of hope
Demarca o travesseiro.
The weight remais.
Faith sinks.
Cast glass candle and pillow.
Brasilia 2020
